Affiliate test membership content
ABOUT GOING PRO YOGA
**Right now you can try Going Pro Yoga FREE for 7-days and sample:
To Learn More, Visit Going Pro Yoga, and Start your 7-Day Free Trial!
In this episode, Michael interviews Tsamara Fahrana to discuss human design. They each share a brief definition of what human design is and the impact
In this episode, Michael dives into the anatomy of the body so that we can teach students more about their own body – in an
In this episode, the Michael and Byron discuss the word “uncomfortable” and whether it is a feeling or just a state of mind. They explore
In this episode, Michael interviews Tsamara Fahrana to discuss human design. They each share a brief definition of what human design is and the impact
In this episode, Michael dives into the anatomy of the body so that we can teach students more about their own body – in an
In this episode, the Michael and Byron discuss the word “uncomfortable” and whether it is a feeling or just a state of mind. They explore
In this episode, Michael interviews Tsamara Fahrana to discuss human design. They each share a brief definition of what human design is and the impact
In this episode, Michael dives into the anatomy of the body so that we can teach students more about their own body – in an
In this episode, the Michael and Byron discuss the word “uncomfortable” and whether it is a feeling or just a state of mind. They explore
In this episode, Michael interviews Tsamara Fahrana to discuss human design. They each share a brief definition of what human design is and the impact
In this episode, Michael dives into the anatomy of the body so that we can teach students more about their own body – in an
In this episode, the Michael and Byron discuss the word “uncomfortable” and whether it is a feeling or just a state of mind. They explore
Send us a message in the form below.
Priority #1-2 Cues – Movement into Pose/Gentle stability:
Used to move the student(s) into the pose. These cues are the first thing to say to guide movement into the posture combine with occasionally cues for action to stabilize and protect the body.
Action cues are subtle movements in that establish stability to support the posture and protect the body.
These cues are necessary for beginners.
Front Arm Lines (FAL)
The Front Arm Lines assist the body in stabilization and consists of the Deep Front Arm Line (DFAL) and the Superficial Front Arm Line (SFAL).
The DFAL assists the upper body to move in adduction, rotation, and flexion. This fascial line runs from the area underneath your chest, up the armpit, and connects to the biceps.
The SFAL assists the upper body to move in adduction, flexion, and protraction. This fascial line runs from the clavicle, through the inner biceps, and into the front forearm area.
To lengthen the front arm lines, you need to move your body into abduction, adduction in combination with flexion or extension.
Priority #1-2 Cues – Movement into Pose combined with Adjusting Common Misalignments:
This yoga pose is more complex and requires a combination of action cues to stabilize the body before moving into the full express of the pose.
Action cues are subtle movements in that establish stability to support the posture and protect the body.
Superficial Back Line (SBL)
This fascial line runs from the bottoms of the feet, up the back of the body, to the third eye.
It assists the body to move in extension, for example to arch the spine.
To lengthen the back line, you need to move your body into a forward flexion.
Muscle areas of the back line include: calves, hamstring, and the spine.
Superficial Front Line (SFL)
This fascial line runs from the tops of the feet, along the anterior side of the body, up to the base of the skull.
Assists the body to move forward, in flexion.
To lengthen the front line, you need to move your body backwards, into extension.
Muscle areas of the front line include: the quadriceps, abdomens, intercostals and diaphragm.
Lateral Line (LL)
This fascial line runs from the base of the outer ankles, up the side of the body, to the base of the skull region underneath the ear.
Assists the body to move sideways, in abduction, for example to stretch the side body.
To lengthen the lateral line, you need to move your body to one side so that you can stretch the other side.
Muscle areas of the lateral line include: the IT band, glute muscles, and obliques.
Spiral Line (SL)
This fascial line loops around the body, across the upper back to the opposite shoulder, and around the ribs to cross again at the front.
Assists the body to rotate and twist.
To lengthen the spiral line, you need to move your body in circular and twisting motions.
Muscle areas of the spiral line include: the IT band, obliques, and the spine.
Deep Front Line (DFL)
This fascial line is composed of the deep inner thighs, hip flexors, deep core and the diaphragm.
Assists the body with core stability, primarily to move in flexion and hip abduction.
To lengthen the deep front line, you need to stimulate these deeper layers of tissue in the body with long holds that target the inner thighs.
Muscle areas of the deep front line include: Adductor Longus, Psoas, Quadratus Lumborum, and the abdominals.
Back Arm Line (BAL)
The Back Arm Lines assist the body in stabilization and consist of the Deep Back Arm Line (DBAL) and the Superficial Back Arm Line (SBAL).
The DBAL assists the body to move in abduction, rotation, and extension. This fascial line runs from the midline of the back body, through the deep muscles in the back and shoulder area, and into the back of the forearms.
The SBAL assists the body to move in abduction, rotation, and extension. This fascial line runs from the midline of the back body, through the trapezius and tricep area, and into the back of the forearms.
To lengthen the back arm lines, you need to move your body into flexion, adduction, or protraction.
Spiral Line (SL)
This fascial line loops around the body, across the upper back to the opposite shoulder, and around the ribs to cross again at the front.
The Spiral Line assists the body to rotate and twist.
To lengthen the spiral line, you need to move your body in circular and twisting motions.
Muscle areas of the spiral line include: the IT band, obliques, and the spine.
Superficial Front Line (FAL)
The Superficial Front Line assists the body to move forward, in flexion.
This fascial line runs from the tops of the feet, along the anterior side of the body, up to the base of the skull.
To lengthen the front line, you need to move your body backwards, into extension.
Muscle areas of the front line include: the quadriceps, abdomens, intercostals and diaphragm .
Deep Back Arm Line (DBAL)
This fascial line runs from the midline of the back body, through the deep muscles in the back and shoulder area, and into the back of the forearms.
The DBAL assists the body to move in abduction, rotation, and extension.
To lengthen the back arm lines, you need to move your body into flexion, adduction, or protraction.
Muscle areas of the back line include: triceps, rotator cuff muscles of external rotation and rhomboids.
Superficial Back Line (SBL)
This fascial line runs from the bottoms of the feet, up the back of the body, to the third eye.
The Superficial Back Line assists the body to move in extension, for example to arch the spine.
To lengthen the back line, you need to move your body into a forward flexion.
Muscle areas of the back line include: calves, hamstring, and the spine.
Deep Front Line (DFL)
This fascial line is composed of the deep inner thighs, hip flexors, deep core and the diaphragm.
Assists the body with core stability, primarily to move in flexion and hip abduction.
To lengthen the deep front line, you need to stimulate these deeper layers of tissue in the body with long holds that target the inner thighs.
Muscle areas of the deep front line include: Adductor Longus, Psoas, Quadratus Lumborum, and the abdominals.
Lateral Line (LL)
This fascial line runs from the base of the outer ankles, up the side of the body, to the base of the skull region underneath the ear.
The Lateral Line assists the body to move sideways, in abduction, for example to stretch the side body.
To lengthen the lateral line, you need to move your body to one side so that you can stretch the other side.
Muscle areas of the lateral line include: the IT band, glute muscles, and obliques.
Lateral Line (LL)
This fascial line runs from the base of the outer ankles, up the side of the body, to the base of the skull region underneath the ear.
The Lateral Line assists the body to move sideways, in abduction, for example to stretch the side body.
To lengthen the lateral line, you need to move your body to one side so that you can stretch the other side.
Muscle areas of the lateral line include: the IT band, glute muscles, and obliques.
Superficial Back Line (SBL)
This fascial line runs from the bottoms of the feet, up the back of the body, to the third eye.
The Superficial Back Line assists the body to move in extension, for example to arch the spine.
To lengthen the back line, you need to move your body into a forward flexion.
Muscle areas of the back line include: calves, hamstring, and the spine.
Superficial Front Line (SFL)
This fascial line runs from the tops of the feet, along the anterior side of the body, up to the base of the skull.
The Superficial Front Line assists the body to move forward, in flexion.
To lengthen the front line, you need to move your body backwards, into extension.
Muscle areas of the front line include: the quadriceps, abdomens, intercostals and diaphragm.
Deep Front Arm Line (DFAL)
This fascial line runs from the area underneath your chest, up the armpit, and connects to the biceps.
The DFAL assists the upper body to move in adduction, rotation, and flexion.
To lengthen the front arm lines, you need to move your body into adduction or extension.
Muscle areas of the front line include: wrist flexors, biceps, pectoralis minor
Lateral Line (LL)
This fascial line runs from the base of the outer ankles, up the side of the body, to the base of the skull region underneath the ear.
The Lateral Line assists the body to move sideways, in abduction, for example to stretch the side body.
To lengthen the lateral line, you need to move your body to one side so that you can stretch the other side.
Muscle areas of the lateral line include: the IT band, glute muscles, and obliques.
Spiral Line (SL)
This fascial line loops around the body, across the upper back to the opposite shoulder, and around the ribs to cross again at the front.
The Spiral Line assists the body to rotate and twist.
To lengthen the spiral line, you need to move your body in circular and twisting motions.
Muscle areas of the spiral line include: the IT band, obliques, and the spine.
Deep Front Line (DFL)
This fascial line is composed of the deep inner thighs, hip flexors, deep core and the diaphragm.
Assists the body with core stability, primarily to move in flexion and hip abduction.
To lengthen the deep front line, you need to stimulate these deeper layers of tissue in the body with long holds that target the inner thighs.
Muscle areas of the deep front line include: Adductor Longus, Psoas, Quadratus Lumborum, and the abdominals.
Superficial Back Line (SBL)
This fascial line runs from the bottoms of the feet, up the back of the body, to the third eye.
The Superficial Back Line assists the body to move in extension, for example to arch the spine.
To lengthen the back line, you need to move your body into a forward flexion.
Muscle areas of the back line include: calves, hamstring, and the spine.
Superficial Front Line (SFL)
This fascial line runs from the tops of the feet, along the anterior side of the body, up to the base of the skull.
The Superficial Front Line assists the body to move forward, in flexion.
To lengthen the front line, you need to move your body backwards, into extension.
Muscle areas of the front line include: the quadriceps, abdomens, intercostals and diaphragm.
Deep Front Line (DFL)
This fascial line is composed of the deep inner thighs, hip flexors, deep core and the diaphragm.
Assists the body with core stability, primarily to move in flexion and hip abduction.
To lengthen the deep front line, you need to stimulate these deeper layers of tissue in the body with long holds that target the inner thighs.
Muscle areas of the deep front line include: Adductor Longus, Psoas, Quadratus Lumborum, and the abdominals.
Spiral Line (SL)
This fascial line loops around the body, across the upper back to the opposite shoulder, and around the ribs to cross again at the front.
The Spiral Line assists the body to rotate and twist.
To lengthen the spiral line, you need to move your body in circular and twisting motions.
Muscle areas of the spiral line include: the IT band, obliques, and the spine.
Superficial Back Arm Line (SBAL)
This fascial line runs from the midline of the back body, through the trapezius and tricep area, and into the back of the forearms.
The SBAL assists the body to move in abduction, rotation, and extension.
To lengthen the back arm lines, you need to move your body into flexion, adduction, or protraction.
Superficial Back Line (SBL)
This fascial line runs from the bottoms of the feet, up the back of the body, to the third eye.
It assists the body to move in extension, for example to arch the spine.
To lengthen the back line, you need to move your body into a forward flexion.
Muscle areas of the back line include: calves, hamstring, and the multifidus along the spine.
Superficial Front Line (SFL)
This fascial line runs from the tops of the feet, along the anterior side of the body, up to the base of the skull just under the chin.
The Superficial Front Line assists the body to move forward, in flexion.
To lengthen the front line, you need to move your body backwards, into extension.
Muscle areas of the front line include: the quadriceps, abdomens, intercostals and diaphragm.
Level 1: Safe to perform in the average body and can be added to the beginning, middle or end of a sequence.
Level 2: Requires one or more areas of the body to be prepared, warmed up, or activated, using a level 1 pose.
Level 3: Requires two or more areas of the body to be prepared, warmed up or activated, using a level 1 or level 2 pose. These postures are recommended for middle to end of a sequence.
